Dancing

Traditional Eritrean Tigrigna dancing involves two main styles of dance. In the first which is called 'quda', the dancers form a circle and slowly circumambulate or move around in an endless circular motion to the rhythm of the music. Then, they cease the circular musical flow/motion and dance in pairs or 3's facing each other for a short while before resuming the circular motion in a file again. During this time, they shuffle their feet to the beat of the music and bob their shoulders in a rhythmic fashion. Female dancers usually move their shoulders more than the male dancers. Towards the end the musical tempo increases and the drum beat quickens to signal this musical crescendo. The dancers round off their dancing by facing each other in twos and threes and moving their shoulders faster - this can also involve jumping and bending your knees and going down to the floor to sit in a squatting position while bobbing those shoulders and moving the head sideways to the strong drum beats.

In the second style of dance, two groups (often a group of men and a group of women) line up and face each other. The dance features a skipping step to the music. Periodically, the two groups will change places, dancing across the floor and passing each other in the process.

Other Eritrean traditional dance include those by the Kunama which involves raising the bead-strung legs in sync with the rhythm of the music; those by the Saho which involves jumping each leg in rhythm with the beats - as well as those by Afar, Nara, Tigre, Billen, Hidareb and Rashaida.

[edit]Sibret

In 1994, a year after Eritrea declared its independence and gained international recognition, a group of musicians were brought together under the direction of Kahsay Gebrehewet as part of Eritrea’s nation building efforts.^[2] The musicians, who had previously performed in various revolutionary music groups, were brought together as the national music and dance troupe, Sibret (heritage).^[2] Sibret perform music and dance from all nine of Eritrea's main ethnic groups (Afar, Bilen, Hedareb, Saho, Kunama, Nara, Rashaida, Tigre and Tigrinya), they feature regularly on Eritrean radio and television shows and perform as representatives of Eritrean culture around the world.^[2] Their instrumentation includes the amplified krar, bass krar and percussion.^[2]